NOTE: Cherry, maple, and other closed-grain woods
tend to develop finishing blotches because of their textured grain.
No matter how much preparation and sanding is done to these areas,
they will never disappear. This is part of these species’
natural characteristics.
IMPORTANT: It is recommended that
prior to any new staining/finishing project that samples be prepared
with the actual sandpaper and actual stains/finishes that are being
used. This will determine if the end result is the desired one.
A stain’s penetration also depends on the final grit with
which the wood was sanded. Eight grit (or those with smaller grit
numbers) sandpaper will absorb much more pigment than the finer
tracks left by a 150 grit (or large grit-numbered) sandpaper.
COLORANT APPLICATION
After the wood has been adequately prepared, the colorant (dye,
stain, filler, finish) can be applied and allowed to be absorbed
evenly onto the wood’s surface. During WOOD PREPARATION, the
surface could be sponged with water, alcohol, or solvents to show
areas which may contain glue, marks, oil or uneven sanding. These
areas should be repaired to ensure even absorption of the colorant.
Don’t know which type of colorant to choose?
Below are some of the common colorants available. Consult you flooring
professional(s) for more details and recommendations:
DYES: solution of colorants in mineral spirits,
oil, alcohol or water that change the hue of the wood without hiding
its figure or making the surface unclear or muddy
Dyes cling to both soft and hard grains, and often enhance and bring
out the grain:
WATER-BASED DYE: as the water evaporates, the wood is left with
only the color in its surface
OIL-BASED DYE: recommended for use on oily woods; can be added to
pigment stains to form a combination stain/dye
SOLVENT-BASED DYE: recommended for use on oily woods; can be added
to pigment stains to form a combination stain/dye
STAINS: dispersions of pigment particles within
an oil or solvent base that are produced from a variety of synthetic
and organic mineral sources;
• Pigments are ground into fine particles and come in a powdered
form which may be added to other stains to increase undertone color
and density.
• Stains can be sprayed, brushed, or wiped onto the surface.
The amount of time the stain remains on the surface and how hard
the stain is wiped off determines the depth and final color.
NGR STAIN/NON-GRAIN-RAISING STAIN: spray application dye solution
containing no pigments that gives an overall transparent color to
the wood, offering a high degree of clarity.
NOTE: For a dark look without covering up the grains’
appearance, use dye and then stain to create a clear, but dark color.
WOOD FILLERS: oil-based product that can be mixed with oil-based
stains to even the wood’s color; fills in the pores to give
them a lighter appearance and give the surface a smoother appearance.
• Fillers are applied in a heavy film or paste form either
by spraying or brushing, with the excess wiped off with rags, scrapers,
and/or burlap.
• You can use a neutral or a contrasting color to accent the
wood’s pores.
• Scratches that go deeply into the wood will have to be repaired
with filler to build up the damaged area before a new top layer
of finish can be applied.
NOTE: Using filler may not completely
fill all pores and is usually limited to horizontal surfaces on
ring-porous woods such as elm, oak, and ash. Close Grain wood (cherry,
maple, birch, poplar, to name a few) usually doesn’t require
filler.
SEALERS: compounds that lock in color, protects grains, start the
filling process, and/or provides a sandable coat/smooth surface
for final surface application.
• Often the sealer is filled with particles that make the
surface easier to sand and moisture resistant, but it can also inhibit
clarity.
NOTE: All finishes require a sealer whether it is
built into the finish or it is separate from the top coat.
GLAZES: transparent or semi-transparent stains that are applied
after the sealer coat to even out a light and/or dark area after
staining and sealing;
• This is an added step for achieving color homogeny and depth,
and for highlighting wood’s grain patterns.
• In some instances, a transparent alcohol dye may be used
as a glaze as well.
TONERS: transparent or semi-transparent tinted
applications of sealer or top coat which build up a color or even
the tone of the wood; they tend to cover the grain because they
are pigments suspended in the finish.